Wednesday, 17 September 2014

Under Grin Low

Buxton Country Park
Monday 15th September 2014
venturing underground
 The first session of a project from High Peak Community Arts' Project eARTh Buxton group. Over the next few months they'll be working with woodcarver Sarah Fiander to create a set of figures that will stand near the entrance to the Park. I will be joining them several times to work on the stories behind the shapes they produce. What will come: visually or verbally, we have no idea! Adventures all round

Monday's session was for first ideas, for exploring and talking and meeting each other.

I'm just going to post the poems that grew out of our walk through Poole's Cavern

where will our sculptures go? what could the group be like?
Introduction - the feel of this project
Almost stones.
Standing stones,
Petrified people,
Called from the heartwood,
Their stories carved into the wood of their bodies
In runes


Under the hill - this poem grew out of comments and notes. It feels like several different voices so if you read it out try getting different people to read different verses. The italic sections I think are the voices of people wandering through the cave

Our modern feet,
In sensible shoes,
Splashing in puddles,
On sensible floors,
Casting shadows over stones,
From the sensible lights.
Get in there!
A long way in,
It's a long way in.
It's cold.


The darkness waits
For us to turn our backs,
To let our guard slip,
To let the drips drop,
And the petrifying water catch us
Or our pennies,
Or our shoes,
Or our mobile phones.

A splendour of rock and water and earth.
Time stands still.
It's surprising what water can do.
It's a long way in.

Nothing here is quite what it seems,
Turn your back for a moment and the darkness comes back
Water made solid
Reptilian

Step into the darkness,
Stooping,
Careful,
Into the shelter and the silence and the cold.
This darkness,
A home for hibernating bats,
A lair for bears,
A grave for the ancient dead.
4,000 years of peace broken by
Victorian shovels

a strange world
quiet
peaceful
no traffic noise
no fumes
no smells at all

Purple, green and grey
Line and layers of stone,
Sideways ripples across a boulder,
Folds become faces,
A skull caught forever in 
Hanging stone
deep, mysterious
time caught in the dripping echoes 
stone-time not our time
we are here and gone again
the stone lasts
changing all the time but still here

One lump of rock becomes
A bear, a beast, a lion, a gorilla,
A chenille blanket.
A thousand years of dripping 
To grow a dragon's eye,
A cave jellyfish,
A weeping swelling 
On the cave floor.
A cauliflower,
A marshmallow for trolls,
Miniature rice paddies,
Deceptively hard,
Hard as stone and
Wet

Tree roots and a picnic bench
Up there somewhere.
Now
We are hidden,
Secrets in the limestone hills,
Now 
We are the mystery

There are stories here,
Here in the cold and the dark
Stories waiting to be told

Voices like grating rocks and dripping water
A convocation of stalemites*
An amphitheatre of stalagmites,
Watchful, listening, patient
Waiting for the dark to return when we go away,
Poised on the edge,
Guarding their own,
Still,
Peaceful,
Hidden,
World.

This parliament of stones
Ancient but still alive,
Ancient and never stagnant




*I know this should be stalactite or stalagmite but I thought stal-e-mite was such a good word we should keep it!

Home with cowries

North Uist, 
September 2014

O, long golden beaches and long cold winds, strandlines of kelp and shelldrifts to forage in...returning home after after a few days writing, walking and laughing on North Uist

There are a set of new poems growing out of blue waters, wide horizons and a sky determinedly empty of eagles. But they'll have to wait a bit while the poems finish germinating

But the journey back from the outer edge of Scotland to my home here in the middle of England felt like traveling through timezones or phases of reality or regular shifts in paradigms. To open the door here was to step back into welcome spaces and welcome animals (the axolotls were looking particularly swimmy) but also into the need to pick up my pace and get onto booking venues and finalising plans for the autumn's work
adventurous dog!

Never mind, there is a dish of cowries to carry me back across the water

Exciting news about articles:

Link: the magazine for Wildlife Watch, the junior wing of the The Wildlife Trusts are using a post froma few months ago on Making Prehistoric Rockpools as a piece in an upcoming issue of the magazine

Revista Textura: a Brazilian environmental education journal has published a piece by me called "A broad, broken bow of a bridge: using classic literature and the outdoors to inspire poetry with children"
This link will take you to a pdf of the article. I am pleased with the article: it gave me a chance to really think about the background, activities and implications of a project (the Gawain project from summer 2013)  after its completion which doesn't often happen! Usually, I finish one project and then hope for enough time to breathe before the next one closes in on the diary!

and a few gratuitous pictures of beautiful places....
Dun an Sticir
Sticir is causewayed
lichen-hairy rocks!

Monday, 1 September 2014

Leafy pages: inspiration and activities: training course


Leafy Pages and Wild Words 
Wednesday November 5th 2014
a training course with Gordon MacLellan
organised by Wildwise 
a scatter of objects and ideas can shape a story

I spend a lot of this blog reporting back on the delightful and inventive ways the groups I work with engage with the world around them.

I do training courses for professionals, as well, offering all you workshop leaders, teachers, rangers, excitable adults or thrilling parents an invitation to join me and experiencce some of those skills for yourself 

This workshop will be hosted by Wildwise at Dartington
washing-line poems collect ideas
and inspire editing

Instant stories, sudden poems, an excitement of words: when we step outside into a wider environment, there are adventures everywhere and this workshop will explore ways of building those tales with groups. 

Alongside our storymaking, we will explore ways for recording our tales in storysticks and bundles, big books, small books, one piece books, pop-up landscapes and fold-out theatres. A workshop for anyone who wants to find new or extend their existing ways of playing with stories with groups - or just for themselves.

Times: 9.30am - 4.30pm
Place: Dartington
Costs: £115/£95/£70 (rates: organisations, charities & voluntary organisations, individuals)
Booking: contact Wildwise

and then there are always boggarts to wrap a story or two around